Indira

The yellow tones in Indira are reflective metallic gold paint. The abstract portrait is built from pattern and repetition. The figure emerges through a field of dots and small squares, each mark contributing to the contours of the face. The background’s warm grid of yellows, oranges, and reds creates a sense of energy around her, almost like a wall of patterned light.

The Arrival (left), Indira, and Kansai (far right), all by Henry Callahan.